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Eien no hito / Immortal Love

Eien no hito / Immortal Love (1961)

Only a French DVD exists I think. English people, you disappoint me.

Director: Kinoshita Keisuke
Writers: Kinoshita Keisuke
Date: 1961

Genre: Drama
Description: Forced marriage, unhappy marriage, not quite a love story

Cast: Nakadai Tatsuya, Takamine Hideko, Sada Keiji, Otawa Nobuko, Tamura Masakazu, Totsuka Masaya, Ishihama Akira, Fuji Yukiko, Nonomura Kiyoshi, Kato Yoshi, Tôno Eijirô

Crew of note: Music by Kinoshita Chuji

Runtime: 103 mins.
Color: Black and White
Trivia:

summary
Heibei has just returned crippled from the Sino-Japanese war. He is the son of the town’s leader, living on what the village calls the family’s “mound”. He spots Sadako, who has turned into a beautiful woman in his absence. He immediately falls in love with her (more like lusts for her), but she in turn is in love with Takashi, who has yet to return from the war. Using his father’s position and influence, Heibei forces Sadako to marry him, and we witness 29+ years of their miserable life together. Also, Spanish flamenco music in Japanese?

review
Sounds like your average troubled marriage film, but unlike many such films that are either totally pessimistic or totally optimistic about the fate of the marriage, Eien no hito is.. sort of different. Reason: Heibei and Sadako are both jerks. Yup, a story about a married couple trying to make each other f’ing miserable. Sounds delightful!

Under some less able director or with a less talented cast, many of these characters would just end up as one dimensional charicatures, annoying and unbearable to watch. Nakadai is at his most vile (even worse than in his later Gosha starrers) and Takamine pumps out every last bit of her sarcasm and passive aggressiveness (accumulated from her Ozus and Naruses), yet it is not possible to say that they go so far as to become detestable. Their relationship is pretty messed up–and by that I mean really complex–and it’s a wonder why they’re still together apart from making each other miserable.

It sounds depressing, but not really. These periods of exceptional bitterness are sandwiched between longer periods of relative peace, where, I assume (because they aren’t shown), nothing really terrible happens. They just happen to be stuck in the same house together, is all.

The English title is Immortal Love, which makes you think it’s supposed to be a love story, or that there’s any love at all between Heibei and Sadako, and the title can be misleading, I think. In Japanese it only means “eternal person”, not necessarily someone you love (that would be “koibito” or some other term of affection). And perhaps this title is more accurate, granted a lot more ambiguous. They are just two people stuck together for life (under the social construct that is marriage). Whatever there is between them, love or hate or something else, well, you get to see and understand eventually.

But the film would not be what it is if it weren’t for the music and the matching cinematography. It’s 1961, and Kinoshita throws a curve ball straight at your head by using what is probably Spain’s national music style (I’m too lazy to research), flamenco, with a singing narrator. Sounds cheezy, maybe, but it works perfectly. The angled, abrupt start-stop style of music fits well with the characters’ similarly rigid and confrontational personalities. The film is also decidedly underexposed during many scenes, with flickering light and darkness and jagged outlines of rocks, mountains, and blades of grass. Quick, rapid cuts, slow pans and zooms, still shots are all used in a striking blend; you will notice when one is used over another. There are also some of the most beautiful looking clouds I’ve seen in a black and white movie: dark, ominous, lying low in the sky. Kinoshita probably used a red filter to get this look, maybe. It’s very pretty?

Nakadai Tatsuya in Eien no hito

Hatching an evil plot and recounting fond childhood memories look exactly the same, apparently

So, interesting characters, good story, amazing music and pictures. A good ending too.

conclusion
It’s an unlikely mix. In no way does the music resemble anything Japanese, except for the language, yet it works perfectly, and that in itself is a great achievement. It’s also surprising how a chronicle of two people’s crappy hate-filled relationship can be more interesting than a feel-good love story. I generally try to avoid definitive comparative statements, but to me, this is Kinoshita’s best film.

Takamine Hideko and Sada Keiji in Eien no hito

Insert el_flamenco_de_hapon_loco.mp3

things to take note of
The music!
The backgrounds/setting
Those clouds are purty

best moment
Whenever there is music

why you should watch this
The best use of flamenco music in a Japanese movie ever. Also, it’s my favorite movie among those I’ve seen in the past 2 months (out of around 40-50).

rating: 9

scorecard
Plot: B
Cast: B+
Cinematography: B+
Music: A++++
Entertainment: B

similar movies, maybe:
…that use flamenco? Nope, nada.

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