Joen / The Affair

Joen / The Affair (1967)

Not a bad affair if you ask me

Director: Yoshida Yoshishige (or Kiju)
Writers: Tamura Tsutomu, Yoshida Yoshishige
Date: 1967

Genre: Drama
Description: Love affair, love, marriage, extra-marrital affair, rape, identity, freedom

Cast: Okada Mariko, Minami Yoshie, Sugano Tadahiko, Shimegi Shigako, Kimura Isao, Takahashi Etsushi

Crew of note:

Runtime: 1 hour 32 mins
Color: Black and White

Oriko’s and her mother had a difficult relationship. She knew of her mother’s relationships with men, and insisted she stop, interfering in the affair. Now that her mother has passed away, Oriko attempts to find out more about her from her lovers. Oriko herself is in an unhappy marriage; one without love. She wishes to divorce him, but her husband refuses. Through this dilemma she begins to understand her mother more and more, and that they are more alike than she thinks.

Joen / The Affair (1967)

'Oh mom you're such a slut'

Admittedly, this didn’t start that well for me. I’m not sure why, but I found myself uninterested for the first few minutes. The movie starts rather slow, and already comes out with an affair: Oriko’s mother and a much younger man. Okada Mariko, in fact, is just there to complain. Another movie about sarcastic, petulant women? Okay, probably not.

The film’s events are launched by her mother’s affair, and much of it revolves around love and love affairs. Yet what the film is truly about is Oriko’s discovery of herself, both as her mother’s daughter and as a woman. Her relationships with men–with her husband and with her mother’s lovers–all represent different parts of Oriko’s life. The juxtaposition of events (and rather clear dialogue) and character relationships creates a web of meaning brought about by contrast: freedom and comfort; submission and animal desires; choice and depth. We discover with Oriko who she really is, and what she really wants–one or the other, both, all, or none at all.

This is all created with about as much silence as conversation, and Yoshida proves himself a worthy student of Ozu in how he strings together images to surround events with more meaning and context. The beach, the forest, those long walks alone or with a companion, the smalled room (through close up), the cabin, her large but seemingly empty house… the camera is also one of the principal story tellers.

Joen / The Affair (1967)

I guess she isn't a fan of furniture

If the film has one flaw, it is that it may be hard to follow. The sequence of events feels somewhat confusing, even though they occur chronologically (I think), but I am unsure why I experienced this difficulty. Everything seemed to be next to one another, which, in my mind, merged one event with those around it, even if they were with different characters or in different settings. Perhaps this is a reflection of Oriko’s character.

Or perhaps this a reflection of my fickle attention span. :p

Joen / The Affair (1967)

This would be an awesome chambara scene if only they had katanas

Despite my terrible attention span (that’s only really good enough for chambara), for the most part, I was captivated by this film. The images are very strong, and many scenes will linger long after they are seen. It is because of the way Yoshida combines his pictures and scenes that the movie is able to be more than a sappy melodrama, and maybe one of his most memorable films.

things to take note of
The excellent cinematography
The hand-held camera going around
Pay attention because the chronology of events and the cutting is a little confusing maybe

best moment
In the log cabin: meaning + great cinematography = good movietimes

why you should watch this
That log cabin scene alone is worth it, really
Okada Mariko!

rating: 8.8

Plot: B
Cast: B
Cinematography: A
Music: C+
Entertainment: C+

similar movies, maybe:
Many of Yoshida’s films have the same feel, so probably those. Akitsu onsen, Arashi o yobu juhachi-nin, Juhyo no yoromeki… etc.
New wave-era directors like Shindô Kaneto and Kinoshita Keisuke, but not Oshima, Shinoda, Masumura