Tonari no Yae-chan / Our Neighbor, Miss Yae

Shimazu Yasujiro - Tonari no Yae-chan / Our Neighbor, Miss Yae

That sock gets a heck of a lot of attention

Director: Shimazu Yasujiro
Writers: Shimazu Yasujiro
Date: 1934

Genre: Drama, Shomin-geki
Description: Neighbors, friendship, young love, divorce

Cast: Aizome Yumeko, Obinata Den, Isono Akio, Iida Chouko, Okada Yoshiko, Katsuragi Ayako, Iwata Yukichi, Mizushima Ryotaro

Crew of note:

Runtime: 76 mins.
Color: Black and White
Trivia: Two famous directors acted as assistants on this film, Toyoda Shiro and Yoshimura Kozaburo.

summary
Two families live in rural or suburban Japan, somewhere in the Kansai region probably. The two families are quite close to each other; the two fathers are drinking buddies, the children are friends, and the mothers happily look out for the other family’s well being. One day, Kyouko, Yae-chan’s sister, comes home after leaving her husband whom she is unhappy with. Her arrival suddenly stresses the once peaceful pair of homes; the father becomes unhappy, the mother worried, the sister envious of her relationship with Keitaro.

review
Before seeing this movie, I thought Yae-chan would be an old hag living alone, throwing cats at passersby and drinking tea from a flower pot. Then people would find out she’s not actually a crackhead and the neighbors learn to love her. Then she dies and people remember her fondly, and not as the crazy lady with a mysteriously unending supply of cat ammo. I have absolutely NO idea why my brain made up this story, though I’d like to categorically deny childhood trauma and repressed memories. This was my second Shimazu film by the way.

Thankfully Tonari no Yae-chan is neither as absurd nor as depressing as my made-up-movie. In fact, it’s actually quite delightful. Sure, there’s the conflict created by the arrival of Kyouko, one that is sufficiently complex and complicated. The scenes with Kyouko are a little melodramatic, actually, but despite the fact that I’m not a fan of sappy melodrama, these moments didn’t really hurt that much.

What I enjoyed most about this film were the pointless everyday encounters between Yae-chan and Keitaro. There is something very natural, very modern about how they talk to each other, or actually, how they flirt with each other. Not only is it hilarious, it’s also quite unique, as I don’t remember any other film from the 30s with such a non-judgmental, care-free and modern picture of youth getting their flirt on. Really.

Shimazu Yasujiro - Tonari no Yae-chan / Our Neighbor, Miss Yae (1934)

Proof: Getting their flirt on

I was not pleased, however, with Yae-chan’s parents’ decision (spoilers*) at the end, though Shimazu pulls this back a little by isolating this decision to the two old people. Yae-chan’s far too lively, far too hopeful, indeed far too important for them to drag along. Some might consider it a little naive, how the movie ends just as it begins with the youngsters playing, but I’d like to think it’s more a result of an enthusiastic, positive outlook. And it’s during the best parts of the film, unencumbered by drama or farce, simply letting the neighbors be neighbors and live their normal happy lives, that Shimazu shines.

conclusion
The movie has some flaws. Ok, there are quite a bit of flaws, but it doesn’t dampen how enjoyable some of the best scenes are. I would have been more pleased if the film had continued showing the growing fondness between Keitaro and Yae-chan without having to insert Kyouko (the inevitable conflict), as their conversations and exchanges are some of the most relaxed and realistic from this age. Still, this is a fine film despite all my complaints, one that fans of old Japanese movies should certainly see.

things to take note of
The relationship and exchanges between Yae-chan and Keitaro
Yae-chan’s pretty cute

Aizome Yumeko in Tonari no Yae-chan

This cap kinda reminds me of Juri-chan's 'Okaaaaasaaan' moment from Swing Girls for some reason, which is awesome you know

best moment
Socks those dirty dirty socks

Tonari no Yae-chan / Our Neighbor, Miss Yae

Disclaimer: film does not include foot fetish scene

why you should watch this
Shimazu, though pretty unknown in the west I think, is considered one of the early masters of Japanese cinema, particularly the shomin-geki, movies about middle-class Japanese homes.

rating: 8.1

scorecard
Plot: C+
Cast: B
Cinematography: B
Music: C+
Entertainment: B

similar movies, maybe:
I’ve so far only seen one other Shimazu, Kon’yaku samba-garasu (1937), so maybe that one. It’s pretty good.

* According to Jacoby’s “A Critical Handbook of Japanese Film Directors”, Yae-chan’s parents’ decision to move to Korea is a not-so-subtle endorsment of Japanese imperialism. I was weirded out by the choice of moving to Korea, so maybe this is true, though I’d like to think it isn’t.

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