Rokudenashi / Good-for-Nothing

Rokudenashi / Good-for-Nothing (1960)

Yes those antacids were good for nothing 😦

Director: Yoshida Yoshishige
Writers: Yoshida Yoshishige
Date: 1960

Genre: Drama, Crime
Description: A bunch of good for nothing, spoiled brat and his friends, making the wrong decisions, trying to make a life worthwhile, punks, Japanese new wave, disenchanted youth

Cast: Tsugawa Masahiko, Takachiho Hizuru, Kawazu Yusuke, Yamashita Junichiro, Mishima Masao, Chino Kakuko

Crew of note: Music by Kinoshita Chuji (Yoshishige’s brother)

Runtime: 88 mins.
Color: Black and White
Trivia: Yoshida Yoshishige’s first film. He is often considered an important figure in Japanese new wave cinema

Jun is part of a gang of misfits, literally good for nothings with absolutely nothing to do, one of which is a spoiled brat with a rich father. And what do you do when you’re bored? You party, go to the beach, mess around with people, and try to steal from your father. Not exactly a great idea, but at least it makes things exciting.

It is interesting how directors such as Oshima and Yoshida started out. During the early 60s, the Japanese movie industry was undergoing a crisis of sorts, with revenues dropping due to the introduction of the television. In an attempt to find new talent and create new, more interesting and contemporary films, young directors like the two above, were given opportunities at studios like Shochiku. Strange, when you consider how strict these companies were, and how they were known for limiting their directors’ creative freedom (from forcing scripts on them to rejecting ideas).

This generation of film makers, however, was finally given freedom to pretty much do as they pleased (at least, for the first few years until studios became more suspicious of the content of their films). Yoshida pumped out three films in his first 2 years in the director’s chair, and Rokudenashi is his first.

At the age of 27 and coming from a literature background, Yoshida turned to cinema because of his ire over the “stuffy academic milieu” (from Cahiers du Cinéma 1970), hoping to be a voice against the “predominantly industrial, commercial cinema.” A film about good-for-nothings is naturally a great topic, don’t you think? But what makes the film unique is that the use of the title, “Rokudenashi”, is not so much a condemnation, but a simple description of the way these young men want to be. If you expect a moral lesson or a cry of social concern over the degradation of the attitude of the young, well, you ain’t getting any. Instead Yoshida delivers a punch in the gut and a healthy dose of ride cymbals, existentialism, and poor decisions.

I’d like to propose that, perhaps, Rokudenashi is more an allegory for the incoming brand of film makers that were slowly starting to emerge as the best and brightest in Japan. “Fuck you politically correct studio executives, we’re going to do this shit anyway.” Life may be meaningless and absurd, but being cool, listening to cool music, and making out with chicks sure beats being lame and boring.

It’s hard to argue with Yoshida with pictures like this:

Rokudenashi / Good-for-Nothing (1960)

Tokyo is empty and he needs a toilet. SUSPENSE ENSUES

This is an important film to see for Japanese new wave fans as an introduction to Yoshida’s style and influences. And if this movie can be summed up in a sentence, it will surely involve his glossy, jazzy style and translation of the French new wave. For some reason, he is not quite as well regarded as some of his contemporaries such as Suzuki, Imamura, Oshima, Masumura. But after seeing this film, it will be difficult to argue against the fact that this was one of the the most visually and musically stunning films in early Japanese new wave.

things to take note of
The jazzy jazziness
Some strange angles that are really brilliant
Tracking shots and movement

best moment
The screencap above

why you should watch this
Yoshida’s first film
Contains some brilliant shots; the one above is probably in my top 10

rating: 7.8

Plot: C+
Cast: B
Cinematography: B+
Music: B+
Entertainment: C+

similar movies, maybe:
Oshima Nagisa’s Seishun zankoku monogatari
Masumura Yasuzo’s Kuchizuke